Autoportrait (Self-portrait), 2023 — ink on Kozo paper — 48 × 42 cm
Untitled, work from the Izenah series, 2017 — diptych, India ink on paper — 180 × 200 cm
Ianua א — ink on paper — 180 × 100 cm, 2021
Ianua ב — ink on paper — 180 × 100 cm, 2021
Hémolymph
לך לך
ink on Hanji paper-- 24,5cm x 43cm -- 2022
Ninfe , 2022— ink and gofun on Hanji paper — 24 x 27 cm
detail - Nymph, 2022
—
—
detail,
Hémolymph
לך לך
ink on Hanji paper—
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Bourgeon d’un cri (Bud of a cry), 2022 — ink on Hanji paper— 24 × 20,5 cm Untitled, from the Chrysalises series, 2022 —ink on Hanji paper — 25 × 28 cm
Untitled, from the Chrysalises serie, 2023 — encres sur papier Hanji — 29 × 74 cm
Le Souffle I (The breath II)
שלכת שלך
2022—ink on paper — 160 × 100 cm
Le Souffle I (The breath I)
שלכת שלך
2022— ink on paper — 160 × 100 cm
Printemps (Springtide), 2023 — diptych, ink on paper — 167 × 200 cm
Myodesopsia, 2016 — ink on paper — 167 × 100 cm
Untitled, from the Izenah series, 2017 — India ink on paper — 164 × 100 cm
Untitled, from the Izenah series, 2017 — India ink on paper — 166 × 100 cm
Orchids, 2021 — double-sided painting, ink on Kozo paper — 97 × 76 cm
detail
Orchids, 2022 — ink on Hanji paper — 74 × 145 cm
detail
Vol (Flight), 2023 — ink on paper — 197 × 100 cm
Siècle fauve, mon berger (Wild century, my shepherd) - (homage to the poem Vek, by Osip Mandelstam), 2020 — ink on paper — 162 x 100 cm and 170 x 100 cm
Installation view of the exhibition Ianua, 2022 — Galerie Jousse Entreprise, Paris
Fico I (Fig I), 2024 — India ink on Hanji paper — 48 × 25 cm
Fico II
(Fig II), 2025 — India ink on Hanji paper — 48 × 25 cm
Dernier visage II (Last Face II), 2023 — ink on Kozo paper — 18 × 24 cm
Dernier visage I (Last Face I), 2023 — ink on Kozo paper — 18 × 24 cm
Sheareah I, 2021 — ink on paper — 184× 100 cm
Sheareah II, 2021 — ink on paper — 178× 100 cm
Sheareah III, 2021 — ink on paper — 187× 100 cm
Sheareah IV, 2021 — ink on paper — 188× 100 cm
Glycine II (Wisteria II), 2023 — ink on Hanji paper — 74 × 145 cm
Glycine III (Wisteria III), 2023 — ink on Hanji paper — 74 × 145 cm
Glycine IV (Wisteria IV), 2023 — ink on Kozo paper — 31 × 27 cm
detail
Oiseau de feu III (Firebird III), 2023 — ink on Hanji paper — 38 × 21 cm
Izenah, 2016— ink on Washi paper — 36 × 46 cm
Study III, from the series The Verdict of the Shell, 2020 — ink on Kozo paper — 79 × 54.5 cm
The Shaman and the Mermaid, 2021 — ink on Kozo paper — 95 × 63 cm
detail
Consider the oyster II, 2025— ink on Hanji paper — 97× 64 cm Consider the oyster I, 2025— ink on Hanji paper — 97× 64 cm
detail
detail
אל-הקירReplis - to take shape, 2013— ink, water and sun on Hahnemüle paper— 100 x 200cm
detail
view from the exhibition Émulsion, ENSBA, Paris, 2013
עשוי מאותו טִין
Les corps flottants I (Floating Bodies I), 2016— ink, rehmannia roots and rhizomes on paper — diptych, 165 × 200 cm
Les corps flottants II (Floating Bodies II), 2016— ink, rehmannia roots and rhizomes on paper — diptych, 165 × 200 cm
לְהַנֵץ של צינור בקרח
Flux dialectic - Bourgeon d’une canalisation prise dans la glaçe I, 2012— ink on Arches paper— 56 x 75 cm
Flux dialectic - Bourgeon d’une canalisation prise dans la glaçe II, 2012— ink on Arches paper — 56 x 75 cm
Untitled, from the Izenah series, 2023 — diptych, India ink on paper — 207 × 200 cm
רועי
Roy, 2022— ink on Kozo paper — 32 × 23 cm
Phalène - Je ne puis réspirer que dans les régions inferieures, (Moth - I can only breathe in the lower regions), 2016
— terracotta, copper, rubber, linen sheets, straw, vine black, ochres from Provence, Bordeaux mixture, walnut stain, dregs of barrels from the estate —
installation tailored to the dimensions of the clearing (80 sq m)
Phalène installation, 2017, Ensauvagement exhibition, guest of Hélène Bertin, at Domaine des Tuiles Bleues in Sannes, Luberon, Provence
details
לנחש א
Deviner I (Divine I), 2021 — beets, blackberries, walnut stain, logwood black, matcha, rehmannia root juice on silk — 120 × 120 cm
לנחש ב
Deviner II (Divine II), 2021 — beets, blackberries, walnut stain, matcha, rehmannia root juice on silk — 120 x 200 cm
detail
לנחש ה
Lénarash bleu ( Blue Lenarash), 2023— processed natural pigments: walnut stain, beets, green tea, madder, pomegranate peels, logwood black,
rehmannia roots, Sophora japonica, buckthorn berries, vine black, and water on silk, crêpe de Chine — 272 × 139 cm
detail
Installation views of the exhibition Fragments d’un jardin, organized by the Pauline Perplexe collective, October 2021
— research cycle co-funded by the DRAC — Pauline Perplexe, Arcueil
Installation views of Les Furtives ( The Elusive Ones), consisting of the Lénarash and Sheareah series
— Malléable-Aléatoire exhibition, 2023 — Galerie Andréhn-Schiptjenko, Paris
Malléable-Aléatoire exhibition, 2023 — Galerie Andrehn-Schiptjenko, Paris